As June ended, it came with a surprise as Variety reported that Saoirse is set to work with her ‘Lady Bird’ director again, this time with Gerwig adapting the classic novel ‘Little Women‘.
Here is what they say:
Following her critically acclaimed and Oscar-nominated “Lady Bird,” Greta Gerwig is eyeing “Little Women” as her next directing gig.
A-listers Meryl Streep, Emma Stone, Saoirse Ronan and Timothee Chalamet are in talks to star in Columbia Pictures’ retelling of the American classic with Florence Pugh also in talks to star. The movie would mark a reunion for Gerwig, Ronan and Chalamet. The young actors starred in 2017’s coming-of-age comedy “Lady Bird.”
The roles are unknown at this time as some castings are still being worked out. Sources tell Variety the studio is expected to test a handful of actresses opposite Stone for the role of Beth before the July 4 holiday.
The project has been set up at Columbia Pictures for some time, with Amy Pascal set to produce with Denise Di Novi and Robin Swicord. Andrea Giannetti will oversee the production for Columbia Pictures.
Gerwig was initially brought in to rewrite a draft, but following “Lady Bird’s” success, Sony amped up pre-production in order to woo Gerwig into picking this as her next movie.
The novel by Louisa May Alcott, which follows the March sisters in post-Civil War America, has been adapted several times into feature films, with the 1994 version starring Winona Ryder being the most popular. The BBC’s “Little Women” miniseries aired late last year.
This would mark a major coup for Sony and Pascal, who have always coveted the IP, but wanted to make sure the right pieces were in place before pushing the project forward. If this deal makes, the package of high-profile talent ensures a fast-track into production.”
Whoever thought Saoirse would rest after awards season couldn’t be more wrong! The first interview for the ‘On Chesil Beach‘ press is out and in it you can see Saoirse and author Ian McEwan discussing the making of the movie as well as other points. Watch the video below:
W Magazine is known for giving us, every awards season, a dramatic reading of a popular song at the time. When Saoirse was promoting Brooklyn we were granted Hotline Bling by Drake, and now it’s time for That’s What I Like by Bruno Mars, a song that recently won awards at the Grammys!
Watch below as Saoirse and her fellow Hollywood partners flex their karaoke muscles:
It was published today by the Irish Times a new interview with Saoirse in which she talks about fame, Hollywood scandals, the abortion referendum and more. Read it below:
You wouldn’t guess that Saoirse Ronan carried the expectations of a nation on her narrow shoulders. The art of being Saoirse is, perhaps, the art of not seeming disconcerted. Her acting conceals effort. She appears to drift through performances on waves of unpretentious sincerity. Without kicking up scandal, causing kerfuffle or exposing any aggressive elbows, she has secured three Oscar nominations before the age of 24. (Jennifer Lawrence is the only other person to have managed that feat.)
Her turn in Atonement scored a best supporting nod in 2008. Two years ago, during the annus mirabilis of Irish cinema, she was nominated in the best actress race for Brooklyn. Now, up in the same category for playing a difficult teenager in Greta Gerwig’s wonderful Lady Bird, she has her best shot yet at the title.
When I meet her, I’ve just come from fellow nominee Daniel Kaluuya at another press bash. He said to say hello.
“Ach, I love him,” she burbles. “I said it to him the other day: ‘You don’t seem fazed by it at all.’”
Just this week we announced that a TV special with Saoirse would air in Ireland and here it is, ‘The Story So Far’! The Irish actress sits down with Karen Koster for an in-depth interview about growing up in Carlow, making it in Hollywood and landing her third Oscar nomination for the acclaimed Lady Bird. Watch the 20-minute video below:
February has been a great month for Saoirse fans so far, and to add to the list of good moments we have a new photoshoot and interview to AnOther Magazine! Check out the pictures in our gallery and read the article below:
When she stepped out in front of an audience of millions on Saturday Night Live last December, Saoirse Ronan began by setting the record straight on her endlessly mispronounced first name, with a musical ditty that explained “Saoirse” rhymes with “inertia”. With its Gaelic jumble of vowels, it’s been butchered in multiple ways by talk-show hosts and spellchecks across the globe. The Irish 23-year-old’s impish stint as ringleader on the legendary comedy show previously hosted by the likes of Scarlett Johansson and Kristen Stewart was something of a clue to her currently soaring trajectory in Hollywood, but it was also the moment the gifted actress was finally allowed to be funny. With her ethereal looks, obsessive dedication and litmus-paper sensitivity on screen, most directors seem to have taken Ronan’s abilities too seriously to send comedies, or even just regular, messy teenage girls, her way. Carried onto a film set before she could walk, the actress christened “Meryl reborn” by Ryan Gosling has a habit of acting veterans twice her age off the screen, playing a kaleidoscopic range of strong, unpredictable characters and complicated misfits. There was the feral teen assassin raised in a frozen wilderness in Joe Wright’s Hanna; a southern gothic drifter in Ryan Gosling’s neon-drenched noir fairytale Lost River; a 200-year-old vampire in Neil Jordan’s Byzantium; a deeply homesick Irish immigrant in John Crowley’s Brooklyn; and the solemn upper-class English girl with impeccable clipped vowels whose single wicked lie precipitates tragedy in Atonement, a role that won her her first Oscar nomination aged just 13.