In a new article about The 25 Most Powerful Stylists in Hollywood, The Hollywood Reporter talked about Elizabeth Saltzman, the stylist that made Saoirse shine through this past award season. Along with the article, there were several portraits of Saoirse and Elizabeth released, which we have added to our photo gallery. Scroll to the end of the post for a video of the photo session.
Clients: Saoirse Ronan, Gwyneth Paltrow, Uma Thurman
Why she matters: Saltzman has an eye for sparking trends (see Paltrow’s 2012 Tom Ford cape gown or Ronan’s mixed-motif dress in Palm Springs) and never sticks to just one look. She transitioned the Brooklyn star, 21, from ethereal Grecian goddess at the Globes to the sultry green Calvin Klein sparkler at the Oscars. Of longtime client Paltrow, 43, who rocked a Valentino “Wonder Woman” mini at a Goop event, Saltzman says, “It’s a good person who takes fashion risks and isn’t afraid.”
Continue reading (Photos) The 25 Most Powerful Stylists in Hollywood
Saoirse is featured on the current issue of Interview Magazine, along actresses Winona Ryder, Jodie Foster and Charlotte Gainsbourg. We have updated our gallery with images from the photoshoot, and you can read the article below.
When she emerges almost without warning from a snowbound wood as the semi-feral warrior namesake of 2011’s Hanna, Saoirse Ronan completely overwhelmed the world and her antagonists (including an evil spy played by Cate Blanchett) with an easy balance of almost preternatural talent and rigorously drilled skills. Same for the actress who, a few years earlier, at the ripe old age of 12, was cast in her major film debut in director Joe Wright’s sweeping 2007 adaptation of the Ian McEwan novel Atonement—and picked up an Oscar nomination for her troubles. In the nearly nine years since her first film, all Ronan has done is work with Peter Weir (The Way Back, 2010), with Peter Jackson, on the 2009 adaptation of Alice Sebold’s monumental best-seller The Lovely Bones, with Neil Jordan (Byzantium, 2012), and with Wes Anderson, playing the doomed baker-outlaw-romantic Agatha in 2014’s The Grand Budapest Hotel.
In 2015, the New York-born, Ireland-raised Ronan drew on her dual roots to play an Irish immigrant in New York in the 1950s, in the lauded romantic drama Brooklyn, and secured her second nomination from the Academy. This February, as she wound down campaign season and geared up for her part in the Broadway production of Arthur Miller’s The Crucible, Ronan, now 21, talked to an actress and director who knows from the Oscars-two-time-winner Jodie Foster.
(Continued from Jodie Foster)
JODIE FOSTER: Do you live with your parents at home?
SAOIRSE RONAN: I moved away to London when I was 19, actually about six months before we made Brooklyn. So by the time we made the film, I was still incredibly homesick. I don’t know if you found it this way when you were young, but to move away is very different from just working away from home. It was something that I needed and I wanted to do. I wanted to leave Ireland and have anonymity while I was young so I could be stupid and relaxed, I suppose. So I lived on my own and got used to paying bills every month and washing dishes and not leaving them in the sink for five days. New York was always the end goal for me. It was always inevitable that I’d move here because I’d had such a strong connection with it from a very young age. I guess because I know I have roots here, and the energy is really palpable. As soon as you land, you feel like invigorated or something. I feel like it’s a good place to be when you’re young.
Continue reading Saoirse for Interview Magazine by Jodie Foster
A new interview with Saoirse has been published by TIME OUT New York, along with a brand new photo session. Our gallery has been updated with the images, and you can read the article below.
“I’m away to America,” Saoirse Ronan tells us, hiding her character’s nervousness behind a wall of sheer moxie in Brooklyn, the most stirring film of 2015. Don’t fight us on this one: You’ve either already seen it and rocked a smile-cry for two hours, or you’re going to (and you’re in for a treat). A wrenchingly beautiful Irish immigrant drama, Brooklyn does double duty, re-creating the 1950s-era borough in all its melting-pot diversity (and Dodgers-loving Italian boyfriends), while also giving the 21-year-old Ronan the kind of role—romantically conflicted, blooming, courageously open—that transforms young stars into icons.
Ronan, who was born in the Bronx to Irish parents and moved to the Emerald Isle when she was three years old, can’t really be compared to her peers—even the exceptional ones. She steals busy movies, like The Grand Budapest Hotel, with her classical, silent-era stillness. She possesses a lilting brogue that can win over even the most cynical cinephile. And with her Oscar nomination for Brooklyn—her second, the first being for a dazzling run, at age 13, in 2007’s Atonement—Ronan is the second-youngest performer in all of movie history who can call herself a two-time competitive veteran of Hollywood’s biggest night.
Now the actor wants to change things up. “One of the things I am very conscious of is doing something different every time,” she tells me in a corner booth of Alphabet City’s Ace Bar, where she’s just played pool and darts like an after-work regular. In late March, the actor takes on Broadway with the tricky role of Abigail, the vengeful Salemite of Arthur Miller’s The Crucible, under the direction of high-concept theater heavyweight Ivo van Hove (A View from the Bridge, Scenes from a Marriage). There’s also her upcoming leading role in Lady Bird, the first feature directed by indie It girl Greta Gerwig—a film in which we can only hope Ronan becomes an eccentric new cousin to Gerwig’s Frances Ha character.
Continue reading Saoirse talks to TIME OUT New York
This week, it was announced that Saoirse will take part in Hozier’s music video to help raise awareness for the #FaceUpToDomesticViolence campaign. We have now added a new photo in hq, taken by Barry McCall, of Saoirse and Hozier in anticipation of the video “Cherry Wine” (to be released this Valentine’s Day). The single is now available on iTunes, with all proceeds going to domestic abuse charities.
Saoirse is the covergirl of New York Magazine’s Spring Fashion issue. We have uploaded the featured photoshoot to our gallery, and you can read the article below.
Eight years ago, Saoirse Ronan made her first impression on U.S. audiences in Atonement as Briony, the confused, vengeful girl whose lie sets the plot in motion. That watchful, unsettling performance won her an Oscar nomination at age 13. Since then, she has made a couple of film appearances per year at most (a child assassin holding her own against Cate Blanchett in Hanna; a clever baker in The Grand Budapest Hotel), staying more or less above the Hollywood fray (thanks in large part to the grounding influence of her parents — her father, Paul, is a working actor). That may prove tougher now: At 21, she’s again an Oscar nominee, this time as a leading actress, for her performance as Irish immigrant Eilis in Brooklyn. Ronan’s own immigration experience was the opposite of Eilis’s: She was born in the Bronx and lived there until she was 3, then moved back to Ireland. But now she’s returned to the city that has such a hold on her imagination to make her Broadway debut in The Crucible as Abigail Williams — a confused, vengeful girl not unlike her first big role. We talked to her about going onstage for the first time and discussing child stardom with Jodie Foster. Her name, by the way, is pronounced Sir-sha.
Continue reading Saoirse covers New York Magazine
Our gallery has been updated with two high quality portraits of Saoirse taken during this year’s Palm Springs Film Festival, in which she was honored for her work in the film ‘Brooklyn’.
The 2016 Vanity Fair Hollywood Issue is here, and the cover features a variety of acclaimed, stunning actresses across multiple generations, photographed by Annie Leibovitz. All five of this year’s best-actress Oscar nominees—Jennifer Lawrence, Cate Blanchett, Saoirse Ronan, Brie Larson, and Charlotte Rampling — are featured, in addition to icons like Jane Fonda, Helen Mirren, Viola Davis, and Diane Keaton, up-and-comers like Alicia Vikander and Gugu Mbatha-Raw, and Oscar winners Rachel Weisz and Lupita Nyong’o.
The Hollywood Issue includes additional intimate portraits of these stars from Annie Leibovitz and tributes to all of their careers written by James Wolcott. The new issue of Vanity Fair is available on newsstands in New York and Los Angeles, and on the iPhone, Kindle, and other devices, on Thursday, February 4, and nationally on Monday, February 8.