Saoirse attended the Costume Institute Gala at the Metropolitan Museum of Art in New York City last night! The theme was Camp: Notes on Fashion, and she wore a Gucci Spring 2019 gown. Our gallery has been updated with images from the event – many of which were donated by our friend Mouza, from the fansite paul-rudd.com, thank you!
Saoirse attended the screening for “Yesterday” at Tribeca Film Festival last night! The movie was directed by Richard Curtis, whose daughter Scarlett is one of Saoirse’s best friends. Saoirse collaborated with Scarlett in the book “Feminists Don’t Wear Pink & Other Lies”, which you can buy on Amazon. Our gallery has been updated with images of Saoirse at the event.
Saoirse is on the cover of The 2019 Vanity Fair Hollywood Issue! She’s posing with actor Chadwick Boseman and her 3 times co-star Timothee Chalamet. Our gallery has been updated with the featured photoshoot – seeing as the videos on the website only have a few frames of Saoirse, we’ve uploaded the screen captures to the same album as the outtakes.
HOMETOWN: Dublin, Ireland FILMS: 24 MOST RECENTLY SEEN: Exploring doomed majesty in Mary Queen of Scots COMING ATTRACTION: Re-uniting with Lady Bird director Greta Gerwig for Little Women KNOWN FOR: Being equally empowered in a corset or a prom dress ACADEMY AWARD NOMINATIONS: 3
“I hope that in the next 25 years of filmmaking cinema doesn’t end up completely disappearing and exist just on a laptop screen. I’d love it if we all went back to shooting film.”
Saoirse was at The Ellen DeGeneres Show yesterday to promote Mary Queen of Scots! She talked about stealing things (from the Golden Globes, movie sets… and more? Well), and how clever her dog Fran(cis) is. You can watch the videos below, and a couple of images have been added to our gallery.
Saoirse attended the 76th Annual Golden Globe Awards last night! Our gallery has been updated with images from the event – arrivals, ceremony, backstage and press room can all be found in the same album.
Saoirse Ronan in Mary Queen of Scots and On Chesil Beach
“This is the first time I’ve played any queen or monarch. Mary had to hold herself in a certain way when she was presenting herself at court, but when she was on her own, in her intimate quarters, she was quite different. I began to feel like a bit of a boss. A boss queen!”
Did you learn any royal skills?
Yes, I learned to ride. My horse in the film was also Wonder Woman’s horse—his name is Prince, and he is the biggest diva I’ve ever met. Prince doesn’t do anything for anyone, especially me, and had a nervous cough that you’d hear right before we’d do a take. Everything I did was for that horse, just to get his approval.
Saoirse is in the February cover of Harper’s Bazaar UK! She talked to Erica Wagner about British monarchs, Irish borders and whether history will repeat itself in the age of Brexit. The featured images, as well as the cover, have been added to our photo gallery. You can read the article below!
Saoirse Ronan on British monarchs, Irish borders and Mary Queen of Scots
She was the Queen who might have been. Mary Stuart was the daughter of James V of Scotland and his French wife, Mary of Guise; born in 1542, her charm, beauty and education made her as remarkable a figure as England’s Elizabeth I and indeed, as the great-niece of Henry VIII, there were those who thought her the legitimate heir to the English throne. It is the rivalry between these two women that is the focus of Josie Rourke’s captivating film Mary Queen of Scots – the eponymous heroine embodied by Saoirse Ronan, and Elizabeth by Margot Robbie. Now, on a sunny Sunday morning in Massachusetts, Ronan and I are chatting about the film – and much else besides – though the woman before me seems far from the regal figure I’ve seen onscreen, in a thick cardigan and candy-striped pyjama bottoms. It’s her one day off a week from filming Greta Gerwig’s second directorial outing, an adaptation of Louisa May Alcott’s Little Women. She’s curled up on the sofa, nursing a cold and sipping tea through a straw, but her conversation is lively, funny, warm; and as soon as I’m in her presence I feel as if we’ve known each other for years.
The conflict between Mary Stuart and Elizabeth I would, as we know, eventually lead to Mary’s execution. Rourke’s film is a depiction of the balance of power between them: in a certain sense it’s almost incidental that both are women. ‘The interesting thing is that they’re so similar in many ways,’ says Ronan. ‘The rivalry is almost created by the
lords and advisors around them. They used to write to each other all the time, and we
have a scene in the film where Mary says of Elizabeth, “Nobody understands my situation except her.” I think that’s an interesting thing to see in a political drama, that you’ve got these two people who have been turned into enemies by the people around them, but really they are sisters first and foremost. There’s an incredible strength that comes from acknowledging that.’