(Video) “Little Women” Official Trailer

It has been released the first theatrical trailer for Greta Gerwig’s adaptation of Louisa May Alcott’s novel Little Women, which stars Saoirse Ronan, Florence Pugh, Timothée Chalamet and Emma Watson. In case you might have missed it, Saoirse plays Jo March – the second-eldest of the March sisters. Director Greta Gerwig’s spoke briefly with Entertainment Weekly in honor of the trailer release, about casting Saoirse for the role of Jo. The trailer and the piece of article can be found below. Little Women is set to be released in theaters on December 25, 2019.

For her tomboyish heroine Jo and romantic hero Laurie, Gerwig reteamed with her Lady Bird stars Saoirse Ronan and Timothée Chalamet (both of whom appear, by the looks of the trailer, to have been born for these iconic roles). “I just adore them. They are just spectacular as live actors, and there is some true pairing between them that feels like [it’s] in the tradition of great cinematic pairing,” the filmmaker tells EW and PEOPLE. “I don’t know what they do — I mean, it’s magic. I direct them, but it’s all there.”

 

First promotional stills from “Little Women”

The first promotional stills from Little Women have been released by Vanity Fair! Our gallery has been updated with the images, and you can read the article below.

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Greta Gerwig doesn’t remember reading Little Women for the first time. “It must have been read to me,” she says when I ask for her earliest memories of author Louisa May Alcott’s classic tale of four girls imagining a world beyond their humble surroundings outside Civil War–era Boston.“I always knew who Jo March was,” Gerwig continues. “She was the person I wanted to be.”

In that, Gerwig has had plenty of company. Little Women is one of the most popular books in the history of American letters; after the first volume sold out its initial run of 2,000 copies in 1868, the novel has never been out of print. Simone de Beauvoir, born in 1908, pretended as a child that she was Jo—Alcott’s protagonist and stand-in, a determined, stubborn tomboy with a flair for writing. Ursula Le Guin says that Alcott’s Jo made writing as a girl feel possible. In film, Katharine Hepburn played Jo in 1933; Winona Ryder, in 1994. Now, Gerwig has created her own Jo for the screen in Saoirse Ronan, who also starred in Gerwig’s debut as a solo director, 2017’s Oscar-nominated Lady Bird.

Gerwig based that film on her own life, and Ronan’s character on herself. Still, Little Women might be even more personal to the director. (Her agent pointed this out to her, Gerwig tells me.) “This feels like autobiography,” Gerwig says. “When you live through a book, it almost becomes the landscape of your inner life. … It becomes part of you, in a profound way.”

Continue reading “First promotional stills from “Little Women””

Saoirse to star in Greta Gerwig’s adaptation of ‘Little Women’

As June ended, it came with a surprise as Variety reported that Saoirse is set to work with her ‘Lady Bird’ director again, this time with Gerwig adapting the classic novel ‘Little Women‘.

Here is what they say:

Following her critically acclaimed and Oscar-nominated “Lady Bird,” Greta Gerwig is eyeing “Little Women” as her next directing gig.

A-listers Meryl Streep, Emma Stone, Saoirse Ronan and Timothee Chalamet are in talks to star in Columbia Pictures’ retelling of the American classic with Florence Pugh also in talks to star. The movie would mark a reunion for Gerwig, Ronan and Chalamet. The young actors starred in 2017’s coming-of-age comedy “Lady Bird.”

The roles are unknown at this time as some castings are still being worked out. Sources tell Variety the studio is expected to test a handful of actresses opposite Stone for the role of Beth before the July 4 holiday.

The project has been set up at Columbia Pictures for some time, with Amy Pascal set to produce with Denise Di Novi and Robin Swicord. Andrea Giannetti will oversee the production for Columbia Pictures.

Gerwig was initially brought in to rewrite a draft, but following “Lady Bird’s” success, Sony amped up pre-production in order to woo Gerwig into picking this as her next movie.

The novel by Louisa May Alcott, which follows the March sisters in post-Civil War America, has been adapted several times into feature films, with the 1994 version starring Winona Ryder being the most popular. The BBC’s “Little Women” miniseries aired late last year.

This would mark a major coup for Sony and Pascal, who have always coveted the IP, but wanted to make sure the right pieces were in place before pushing the project forward. If this deal makes, the package of high-profile talent ensures a fast-track into production.”

“Lady Bird” covers Entertainment Weekly

Saoirse, Laurie Metcalf and Greta Gerwig are on the cover of Entertainment Weekly‘s Oscars issue! Buy it here to read the complete article and their Academy Awards guide. You can read an excerpt below, and the featured photoshoot has been added to our photo gallery.

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There’s just something about Greta Gerwig’s Lady Bird. Audiences’ love affair with the coming-of-age tale began at the Telluride Film Festival, where attendees were first charmed by this sharp, vivid, witty, and poignant story of a teenage girl (Saoirse Ronan) who is restless to leave her family home in Sacramento, California, for something bigger and better. What that exactly is, she’s not sure, but she’s convinced that it’s happening just beyond her reach. Her clashes with her mother (Laurie Metcalf), her relationship with her father (Tracy Letts), her intense friendship with her best friend (Beanie Feldstein), and her crushes (Lucas Hedges and Timothée Chalamet) are all achingly relatable.

The Academy certainly agrees — earlier this week, Lady Bird racked up five Oscar nominations including Best Picture, Best Actress for Ronan, and Best Supporting Actress for Metcalf. Gerwig’s screenplay got a nod and she became just the fifth woman in Oscar’s 90-year history to crack Best Director (for her solo directorial debut, no less).

“I felt it from the very beginning,” says Gerwig of the hard-to-put-your-finger-on-it magic that surrounds this film. “You start getting the feeling that the movie wants to exist. That sounds a little goofy, but that’s what it feels like.”

Entertainment Weekly sat down with Gerwig, Ronan, and Metcalf, where it quickly became clear the warm feelings that are so apparent in front of the camera, exist behind the scenes, too. “Don’t take this the wrong way,” Ronan says, turning to Gerwig. “But I don’t see you, like, as a female director. I just think of you as a great director. A great filmmaker. I think the reason why the set was run so well is that Greta’s a great leader.” Echoes Metcalf, “We trusted Greta so much. We knew [Gerwig] was looking for the heart of it, and that you’ve always got your eye on the big picture.”