Category: Press

(Video) “The Grand Budapest Hotel” Press Conference

Saoirse Ronan on working with such a high profiled cast, her first film using her Irish accent, Wes Anderson on the accents in the film at The Grand Budapest Hotel Press Conference at Berlinale Palast on February 6, 2014 in Berlin, Germany.

(Video) Interview about “How I Live Now”

Premiere Pr has released an interview in which Saoirse talks about the film “How I Live Now”, watch it below:

Saoirse talks to The Telegraph

British website Telegraph has posted a small article about Saoirse, read it below:

Saoirse Ronan has starred in a string of films that were adapted from novels including The Lovely Bones, Atonement and The City of Ember. However, the 19-year-old Irish actress does not take the time to read the books before filming.

“I usually don’t read the books first,” Ronan tells Mandrake. “I know that sounds really unprofessional.” Instead she prefers to rely on the script alone. “I’ve been really lucky to have strong scripts from the off,” she says. “Usually I have found that reading the books just complicates that for me.”

Ronan’s next role is in Wes Anderson’s new film The Grand Budapest Hotel which will also star Ralph Fiennes and Bill Murray.

Alicia Vikandar replacing Saoirse in “Testament of Youth”

Saoirse is apparently out and Alicia Vikandar is now in to play wartime pacifist Vera Brittain in a biopic called “ Testament of Youth” according to Britain’s The Daily Mail. She is due to start another movie, Brooklyn, at the same time “Testament Of Youth” will be shooting.

(Video) Saoirse on KTLA

Thanks to the lovely Maria, we have a video of Saoirse’s appearance on the show KTLA yesterday. Watch it below:

Saoirse, Hollywood’s Leading Lady in Waiting

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Poised on the edge of adulthood, the Irish actress Saoirse Ronan still lives at home with her parents, but is coming into her own with an Oscar nomination, films with Wes Anderson and Ryan Gosling, and a budding friendship with Patti Smith.

Through the windows of stained and frosted glass, light from the city streets streams in, dusty and mellow. Conversation swells across the paisley carpet and the worn velveteen booths. Watching over it all, as he has done for the past 40 years, is the wry, white-bearded barman, Tommy Smith, a collector of rare books. On the wood-paneled walls, a ramshackle gallery of local artists; on the stools, a mixture of old-timers and Dublin hipsters (much like the Brooklyn variety, except they get their bikes stolen more often). There’s nowhere in the world quite like Grogans, this much-loved pub. If you’re looking for out-of-work Dublin actors, people say, this is where you’ll more than likely find them.

And here, it seems, is another of their number, strolling in from the street in the middle of the afternoon, her Dublin drawl ringing out proud and lively and her vivid blue eyes lighting up as she scores us a corner booth. In her plaid shirt and skinny jeans, she could easily be one of the local hipsters, but — don’t tell the other actors — that’s actually an Oscar nominee in the corner. And don’t blame me for introducing Saoirse Ronan, Ireland’s first honest-to-goodness Hollywood ingénue, just 19 years old, and with the most flawless skin I’ve ever seen, to Dublin’s most notorious bohemian bar. This was her father’s idea.
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Film Review: “How I Live Now”

Burnley Express has just posted a review of Saoirse’s film “How I Live Now”. It does not contain any spoilers, so you can read the complete article below:

The poster for moody thriller How I Live Now shows Atonement actress Saoirse Ronan staring sullenly into the distance, headphones firmly blocking out the world around her.

You might assume from this striking image that Kevin Macdonald’s film follows a familiar route as the one signposted ‘Awkward Teen Who Finds Out That Life Isn’t That Bad After All’.

Thankfully, the picture treads a different path.

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Saoirse talks about “Byzantium”

Saoirse talked with Cath Clarke about the film “Byzantium”, “The Grand Budapest Hotel”, why she declined The Hobbit and how Hollywood doesn’t have to mean meltdown. Read the article below:

A bundle of energy, Ronan is the most teenage teenage actress we’ve ever met. Child stars are not meant to grow up normal – they’re meant to grow up wild like weeds, into tangled messes. Not this child star. She emerged a fully formed actress in Atonement, only 12 when she filmed her scenes as Briony Tallis. Seven years later she’s brutally honest about the dangers of being a teenager in Hollywood. ‘I could have ended up like Lindsay Lohan. You’re being offered all these different temptations.’ Like what? ‘You know! And everyone is either telling you how great you are or talking about you behind your back. Lindsay Lohan was the ‘It’ girl from like 14. That’s a lot of pressure. If you don’t have your mam telling you “Remember, you’re still my daughter”, you’re going to go off the rails.’

We’re in a nice hotel in London. In the room next door, Ronan’s minders are in a flap. Heavy winds delayed her flight in from Dublin by two hours. Interviews need to be rescheduled. She can’t be late for the Jonathan Ross TV show. Next up she’s starring in a Ryan Gosling movie he’s directing. Cheerfully oblivious, Ronan tells us The Grand Budapest Hotel (due out next year) was her first job without her parents’ chaperoning. The hotel was ‘cool and everything’, but she had been hoping to get a place with a little kitchen of her own. ‘I wanted to be able to cook for myself,’ she says wistfully. ‘I don’t want everyone doing everything for me, you know?’ Her face is a picture of teenage earnestness. ‘I want to naturally be able to grow up as a normal person.’

To be fair, nothing much in her life is normal. Ronan was 13 when she was nominated for an Oscar for Atonement, her memories of the night are of being ‘knackered and hungry’, and she was on a film set before she could walk. Her parents emigrated to New York from Ireland in the late ’80s when times got tough. Her dad Paul took every job under the sun, including one in a bar – where a regular, an Irish actor, suggested he go along to an audition. ‘He never looked back.’

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