The Telegraph has published a great article about Saoirse on their website, celebrating her career and her latest sucess in ‘Brooklyn’. Read it below.

Saoirse Ronan has beautiful pale-blue eyes. Every director she has worked with has chosen to focus on this at some point, because they express so much. As Ian McEwan said of her breakthrough role in the film of his novel Atonement, ‘She gives us thought processes right on screen, even before she speaks, and conveys so much with her eyes.’ Which makes it all the more distressing when, during our meeting, they suddenly fill with tears.

I am telling her how much I enjoyed her latest film, Brooklyn, which went to Sundance Film Festival early this year as a small indie vying for attention and came out as an Oscar contender. Ronan ends up apologising for getting emotional. ‘I’ve never worked as hard as that, and I definitely needed a bit of emotional support because it’s too close to home,’ she says.

‘For people to respond to it as well as they have – I have to say it’s a dream.’ She has not seen the film, she admits later. ‘I can’t. Just talking about it, you can see I’m a basket case. In a couple of years, or when I have kids or something, we’ll all sit and watch it together.’

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