A new poster for Mary, Queen of Scots featuring Saoirse and Margot Robbie has been released! We have added it to our photo gallery, as well as two promotional images of Saoirse as Queen Mary Stuart – one of which seems to be part of the movie’s official photoshoot. The other is a better quality version of a still we had added before.
Saoirse is on the August cover of VOGUE! This marks the beginning of the promotion for the film Mary, Queen of Scots, one most of us have been waiting for literally years. A brand new, stunning photoshoot by Jamie Hawkesworth was released along with the article on the magazine’s website. The images have been added to our gallery, and you can read Saoirse’s cover story below.
Saoirse Ronan is describing the aftermath of her first acting job. “I went into this melancholic state for a few weeks,” she tells me. “I remember sitting on the bed with Mam next to me, and I was like: ‘I’m never going to have that experience again.’ ” The community that had come together on set and developed real bonds had now permanently dispersed. “It was that thought: That exact crew will never work together again. Never.” The project was an Irish television drama called The Clinic. When she appeared on it, Ronan was nine years old.
Now 24, Ronan has come to meet me in a coastal Irish town on a sunny afternoon in May. Ireland is facing a referendum to repeal its ban on abortion, and lurid posters of fetuses are everywhere. Ronan recently appeared in a video supporting the reproductive rights campaign—a long-growing grassroots movement that finally succeeded in pressuring the government to hold a referendum—and everyone is talking about it. In the café where we pick up lunch, we fall into conversation with our server about the upcoming vote.
Saoirse and Ian McEwan have given an interview to The Times! You need to register to their website in order to read everything, but we have a snippet below. A new picture has been released with it, and we’ve added it to our gallery (you can view it here).
The actress and the novelist, it quickly becomes clear, are each other’s best audiences. Saoirse Ronan tells Ian McEwan that when reading his novels she is always struck by his “incredible understanding of the mind of a woman”. McEwan, for his part, says she has “a wonderful ability” to convey what his characters are thinking without even speaking.
Having embraced delightedly, the pair are in a Soho hotel room talking about his new adaptation of his 2007 novel On Chesil Beach, in which she stars. They have known each since Saoirse (pronounced “Sursha”) played Briony in the film of his Atonement in 2007. She was just 13 yet was nominated for a best supporting actress Oscar.
Read more here.
We have added a few new portraits of Saoirse with Greta Gerwig taken during last October’s London Film Festival Surprise Screening of ‘Lady Bird’. Check it out:
With On Chesil Beach, which will be in theaters next month, Saoirse Ronan sustains an unbroken streak of acting excellence that has encompassed The Grand Budapest Hotel, Brooklyn, and Lady Bird. The film is set in the narrowest sliver of historical time, the immediately pre-youthquake Britain of 1962, when, as Ian McEwan writes in the novella upon which the movie is based, “to be young was a social encumbrance . . . a faintly embarrassing condition for which marriage was the beginning of a cure.”
But the picture, directed by Dominic Cooke and co-starring Billy Howle, is tender toward its virginal newlywed protagonists rather than mocking and mean. “Satire creates distance. I wanted the reader, and now the viewer, to get right up close to them,” says McEwan, who handled the screenplay adaptation himself.
In bearing and appearance—”certainly beautiful, but in a sculpted, strong-boned way,” as the book has it—Ronan is uncannily right for the role of Florence Ponting, the violinist who takes the hand (but not willingly much else) of her groom, Edward Mayhew. “The physicality of Florence is so important, because there is so much that isn’t said,” Ronan explains. “And Ian writes with such love and understanding. I don’t think there are many films that have tackled this subject this way. Usually, it’s either a caricature, like American Pie, or overly sentimental.”
This week, The Hollywood Reporter released their 25 Most Powerful Stylists issue, featuring Saoirse and her stylist Elizabeth Saltzman. We uploaded the photoshoot along with the video/interview, which you can watch below.
February has been a great month for Saoirse fans so far, and to add to the list of good moments we have a new photoshoot and interview to AnOther Magazine! Check out the pictures in our gallery and read the article below:
When she stepped out in front of an audience of millions on Saturday Night Live last December, Saoirse Ronan began by setting the record straight on her endlessly mispronounced first name, with a musical ditty that explained “Saoirse” rhymes with “inertia”. With its Gaelic jumble of vowels, it’s been butchered in multiple ways by talk-show hosts and spellchecks across the globe. The Irish 23-year-old’s impish stint as ringleader on the legendary comedy show previously hosted by the likes of Scarlett Johansson and Kristen Stewart was something of a clue to her currently soaring trajectory in Hollywood, but it was also the moment the gifted actress was finally allowed to be funny. With her ethereal looks, obsessive dedication and litmus-paper sensitivity on screen, most directors seem to have taken Ronan’s abilities too seriously to send comedies, or even just regular, messy teenage girls, her way. Carried onto a film set before she could walk, the actress christened “Meryl reborn” by Ryan Gosling has a habit of acting veterans twice her age off the screen, playing a kaleidoscopic range of strong, unpredictable characters and complicated misfits. There was the feral teen assassin raised in a frozen wilderness in Joe Wright’s Hanna; a southern gothic drifter in Ryan Gosling’s neon-drenched noir fairytale Lost River; a 200-year-old vampire in Neil Jordan’s Byzantium; a deeply homesick Irish immigrant in John Crowley’s Brooklyn; and the solemn upper-class English girl with impeccable clipped vowels whose single wicked lie precipitates tragedy in Atonement, a role that won her her first Oscar nomination aged just 13.
We’re starting February in the best possible way with a brand new Saoirse photoshoot, this time for The Sunday Times Style! Our gallery has been updated with six high quality images that were released with the interview -featuring her Lady Bird director Greta Gerwig- and you can read it below.
I hear the giggling before I get to the door of the suite in the Soho hotel in London, where I’m meeting Greta Gerwig, 34, and Saoirse Ronan, 23 — both “women of the moment” thanks to Gerwig’s much-hyped debut solo directorial film, Lady Bird. It’s a damp, cold Saturday evening and the pair haven’t seen each other since filming wrapped on the movie several months earlier. Right now, they’re sitting face to face, intertwined, on the sofa and holding hands. Legs tucked beneath them, they talk intensely and at a hundred miles an hour, Gerwig in her languid Californian drawl and Ronan in a — surprisingly broad — Irish brogue. It takes a good five minutes for them to stop reminiscing about their time on set and gossiping about recent projects and who has seen who since the movie wrapped and even notice I’m in the room.
We have added some portraits from Saoirse and Greta’s TimesTalks conversation last month in New York, taken by Griffin Lipson. Check it out.