Saoirse is on the cover of the new issue of Deadline! It is dedicated to promoting the film Mary Queen of Scots for the upcoming awards season, so the featured image seems to be a promotional still. Thanks to @JeVa22849003 for the heads up! We’ve added the cover to our gallery, as well as a promotional still from the movie that we had previously shared on our site’s Twitter.
ELLE Australia has posted a new interview with Saoirse and Lupita Nyong’o on their website! The article is part of the promotion for Calvin Klein’s latest fragrance Women. You can read the article below, and visit our photo gallery to see the new image released with it.
When it comes to inspiring women, Saoirse Ronan and Lupita Nyong’o fit the brief.
Actresses and activists, both have achieved incredible success, their roles in films such as Lady Bird (Ronan) and 12 Years A Slave (Nyong’o) garnering them serious accolades and respect within the industry—not to mention an Oscar nom. It seems fitting then, that when Raf Simons set out to find a face for his debut Calvin Klein fragrance—and the brand’s first perfume launch in 13 years—the designer tapped the pair to bring his scent to life.
Calvin Klein Women is an exploration of femininity. Described as a woody floral scent with notes of eucalyptus, orange, and cedarwood, the fragrance is inspired by the transmission of strength and inspiration from one woman to the next. Within the campaign video, Ronan and Nyong’o (who met for the first time while collaborating with Calvin Klein) each nominate the women they have been most inspired by. It’s a refreshingly empowering fragrance campaign for Calvin Klein and powerful debut for Simons.
Chronicles of Her founder and fellow CK girl Carmen Hamilton sat down with Ronan and Nyong’o to chat female role models and feminism in Hollywood.
Saoirse is on the August cover of VOGUE! This marks the beginning of the promotion for the film Mary, Queen of Scots, one most of us have been waiting for literally years. A brand new, stunning photoshoot by Jamie Hawkesworth was released along with the article on the magazine’s website. The images have been added to our gallery, and you can read Saoirse’s cover story below.
Saoirse Ronan is describing the aftermath of her first acting job. “I went into this melancholic state for a few weeks,” she tells me. “I remember sitting on the bed with Mam next to me, and I was like: ‘I’m never going to have that experience again.’ ” The community that had come together on set and developed real bonds had now permanently dispersed. “It was that thought: That exact crew will never work together again. Never.” The project was an Irish television drama called The Clinic. When she appeared on it, Ronan was nine years old.
Now 24, Ronan has come to meet me in a coastal Irish town on a sunny afternoon in May. Ireland is facing a referendum to repeal its ban on abortion, and lurid posters of fetuses are everywhere. Ronan recently appeared in a video supporting the reproductive rights campaign—a long-growing grassroots movement that finally succeeded in pressuring the government to hold a referendum—and everyone is talking about it. In the café where we pick up lunch, we fall into conversation with our server about the upcoming vote.
Saoirse was on BBC Radio last week promoting “On Chesil Beach”. We have embedded the interview below, plus added the photos in the gallery. Check it out!
The press tour for ON CHESIL BEACH continues, and a few new videos with Saoirse have been released! You can watch them below.
Saoirse is back on the press junket for her new movie ‘On Chesil Beach’, out this May 18 (US and UK). We have new interviews with her when she was in London, as posted below. We’ll be updating this post for more in the future. Enjoy!Continue reading ““On Chesil Beach” Press Tour Videos (Part 1)”
Saoirse and Ian McEwan have given an interview to The Times! You need to register to their website in order to read everything, but we have a snippet below. A new picture has been released with it, and we’ve added it to our gallery (you can view it here).
The actress and the novelist, it quickly becomes clear, are each other’s best audiences. Saoirse Ronan tells Ian McEwan that when reading his novels she is always struck by his “incredible understanding of the mind of a woman”. McEwan, for his part, says she has “a wonderful ability” to convey what his characters are thinking without even speaking.
Having embraced delightedly, the pair are in a Soho hotel room talking about his new adaptation of his 2007 novel On Chesil Beach, in which she stars. They have known each since Saoirse (pronounced “Sursha”) played Briony in the film of his Atonement in 2007. She was just 13 yet was nominated for a best supporting actress Oscar.
Read more here.
With On Chesil Beach, which will be in theaters next month, Saoirse Ronan sustains an unbroken streak of acting excellence that has encompassed The Grand Budapest Hotel, Brooklyn, and Lady Bird. The film is set in the narrowest sliver of historical time, the immediately pre-youthquake Britain of 1962, when, as Ian McEwan writes in the novella upon which the movie is based, “to be young was a social encumbrance . . . a faintly embarrassing condition for which marriage was the beginning of a cure.”
But the picture, directed by Dominic Cooke and co-starring Billy Howle, is tender toward its virginal newlywed protagonists rather than mocking and mean. “Satire creates distance. I wanted the reader, and now the viewer, to get right up close to them,” says McEwan, who handled the screenplay adaptation himself.
In bearing and appearance—”certainly beautiful, but in a sculpted, strong-boned way,” as the book has it—Ronan is uncannily right for the role of Florence Ponting, the violinist who takes the hand (but not willingly much else) of her groom, Edward Mayhew. “The physicality of Florence is so important, because there is so much that isn’t said,” Ronan explains. “And Ian writes with such love and understanding. I don’t think there are many films that have tackled this subject this way. Usually, it’s either a caricature, like American Pie, or overly sentimental.”